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by Rev. Dan Martin |
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When the instrument was displayed in Mr. Maier's shop,
none of the visiting organists who played it suspected that the organ
was not strictly mechanical. And the wind regulator has a spring-loaded
vertical plate to ensure that the rocking motion at sea does not result
in irregularities in the wind pressure. The pipes are secured in place
by special hooks screwed into the rack board should the boat ever roll
over. Hodgdon Yachts of East Bothbay, Maine, builders of the boat, supplied
Mr. Maier with the cherry wood for the case, bench, and pedal board as
well as the wooden pipes.Using the same wood as used in the hull of the
Antonisa ensured homogeneity of materials and seaworthy building
principals. Installation
began in the summer of 1998 with each movement being coordinated with the
boat builders. Finally the organ case was lowered into place and epoxied
to the floor and wall of the boat. The gold-plated hardware of the organ
was polished until it matched the glitter of the saloon cabinet's hardware.
In August of 1999 the proud owner, the builder, the governor of Maine, the organ builder, and about 3,000 people watched the launching of the boat. The Antonisa left East Boothbay harbor on a cold December day for a shakedown cruise in the Caribbean. She is now birthed in Italy and the organ builder hopes he will soon be called over for a tuning. |
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The
technical description of the organ is as follows:
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The Gedeckt and Cello/Salicional are scaled and voiced for
optimal blending, resembling, when combined, the timbre of a small Principal.
Low C sharp and D sharp are 'virtual' pipes that are obtained by playing
the corresponding note on the Gedeckt with the Cello playing one octave
higher. The Spitzflute 4' is bright enough to cover both the world of flutes
and principals. It is split into Bass and Treble at Middle C. The Octave
2' is partially in the front. The Vallotti temperament was picked in order
not to limit the music to any one-time period. The metal pipes are cone
tuned, with the exception of the front pipes. The pedal board is permanently
coupled to the manual. And for the comfort of the organist there is a brass
bar when he or she may rest the feet when they are not needed on the pedal
notes. Initially, the mouths of the pipes were guilded, and the center pipe
was embossed. This was later changed, with the carved seashell above the
center pipe; the guilding, the fretswawn door panels, and the embossed center
pipe were removed to give the organ a simpler effect. This was done that
it might blend with the open fireplace, and furnishings of the saloon of
the Antonisa.
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