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by James David Christie He is the curator for the organs for the
Boston Conservatory where he cares for their two small Flentrop organs.
He has worked on Instruments built by von Beckerath and has recently
overhauled the Rieger organ at the Wellesley Congregational Church.
At present he is building small instruments and restoring historic organs
in addition to his busy schedule of maintenance work. His shop is located
in Athol , Massachusetts.
Stefan Maier began his organ building
career working in the shop of Hans Karl in Aichstetten, Bavaria, (Germany)
in 1982. He received his basic training in mechanical action organs
at this time. In 1983 he began working with the Swiss organbuilder,
Eddy Ottes, where he concentrated on perfecting his skills in tonal
finishing, scaling and tuning. He had the fortunate opportunity to work
on the restoration of numerous historic instruments. As a result of
working on the restoration of an organ built in Switzerland (now located
in Ilgen, Germany) Mr. Maier decided to dedicate his life to the art
of organbuilding. In September 1984, Mr. Maier began his formal apprenticeship with the firm Stehle-Orgelbau in Haigerloch, Germany. The formal apprenticeship program in Germany has a curriculum which requires the study and application of the manufacture of all the components that make up a pipe organ. He concurrently received his theoretical training at the School for Organbuilders in Ludwigsburg. Upon successfully completing his exams at the School for Organbuilders in January 1987, he was awarded the title of Geselle or Journeyman. From 1987 to 1990, Mr. Maier worked for the master organbuilder John Brombaugh, in Eugene, Oregon. Here he gained much experience in pipe making and worked with Mr. Brombaugh closely on devising temperaments and tuning systems. This work resulted in Mr. Maier's development of a software program that uses a computer and an oscilloscope to accurately measure or/ and set musical temperaments. |